The Origins of the Knights Templar

The First Crusade

The Templar's Architectural Skills

"On the other side of the palace [i.e., the Al-Aqsa Mosque] the Templars have built a new house, whose height, length and breadth, and all its cellars and refectories, staircase and roof, are far beyond the custom of this land. Indeed its roof is so high that, if I were to mention how high it is, those who listen would hardly believe me." - Theoderic (1174)

"Clearly he had regarded the Templars' architectural skills as almost supernaturally advanced and had been particularly impressed by the soaring roofs and arches that they had built....Soaring roofs and arches had also been the distinguishing features of the Gothic architectural formula as expressed at Chartres and other French cathedrals in the twelfth century - cathedrals that...were regarded by some observers as 'scientifically...far beyond what can be allowed for in the knowledge of the epoch' [Louis Charpentier, The Mysteries of Chartres Cathedral]." "...What if, in their excavations on the Temple Mount, they had unearthed scrolls, manuscripts, theorems or blueprints relating to Solomon's Temple itself? What if these discoveries had included the lost architectural secrets of geometry, proportion, balance and harmony that had been known to the builders of the pyramids and other great monuments of antiquity? And what if the Templars had shared these secrets with Saint Bernard in return for his enthusiastic backing of their order?" - Graham Hancock, The Sign and the Seal

St. Bernard, the patron of the Templars, "played a formative role in the evolution and dissemination of the Gothic architectural formula in its early days (he had been at the height of his powers in 1134 when the soaring north tower of Chartres cathedral had been built, and he had constantly stressed the principles of sacred geometry that had been put into practice in that tower and throughout the whole wonderful building)." "Gothic architecture...had been born at Chartres cathedral with the start of construction work on the north tower in 1134....In the years immediately prior to 1134 Bernard had cultivated a particularly close friendship with Geoffrey the Bishop of Chartres, inspiring his with an 'uncommon enthusiasm' for the Gothic formula and holding 'almost daily negotiations with the builders themselves'." When asked "What is God?", Bernard replied "He is length, width, height and depth." "The entire edifice had been carefully and explicitly designed as a key to the deeper religious mysteries. Thus, for example, the architects and masons had made use of gematria (an ancient Hebrew cipher that substitutes numbers for the letters of the alphabet) to 'spell out' obscure liturgical phrases in many of the key dimensions of the great building. Similarly the sculptors and glaziers - working usually to the instructions of the higher clergy - had carefully concealed complex messages about human nature, about the past, and about the prophetic meaning of the Scriptures in the thousands of different devices and designs that they had created." (For example a tableau in the north porch depicts the removal, to some unstated destination, of the Ark of the Covenant - which is shown placed upon an ox-cart. The damaged and eroded description, "HIC AMICITUR ARCHA CEDERIS" which could be "Here is hidden the Ark of the Covenant".)

"In 1139, Pope Innocent II (whose candidacy, incidentally, had also been enthusiastically backed by Saint Bernard), granted the order a unique privilege - the right to build their own churches. This was a privilege that they subsequently exercised to the full: beautiful places of worship, often circular in plan like the Temple Church in London, became a hallmark of Templar activities." - Graham Hancock, The Sign and the Seal

"The great effort of the Order was the transfer of funds and men to the east. They erected numerous building in the west - preceptories, churches, granges - for training and administration, but these were humble and utilitarian in nature, with a few exceptions. There was no standard form of Templar church: a very few, curricular or polygonal, recalled the shape either of the Dome of the Rock at Jerusalem (the 'Temple of God' of the Templar seal) or of the octagon of the Church of the Holy Sepulcher at Jerusalem. But most Templar churches were orthodox apsidal structures." - Peter Partner, The Murdered Magicians